In a scenographic space littered with remnants of cabaret codes, as if stripped of their original dimensions, the "stage beasts" of this community are exposed through the political and aesthetic filters of the post-war era to today's internet influencers.
The choreographic duo have created an immersive and engaging new show, rich in the diversity of its performers, and transpose what's left of Dada into today's world to create a resolutely contemporary foundation that embodies the contradictions of our society.

Catching lion needs a thousand dogs'' is an artistic zone of freedom, where creatures invite themselves onto the stage to share their doubts, their courage, their desires and, above all, their dreams.... A new cabaret-politics, as Berthold Brecht might have dreamed it, where all points of view on the world and the archetypes that surround us produce a sense of the common. Inspired by the Cabaret Voltaire of 1916, which gave birth to the Dada movement and the principles of Dadaism, which nearly a century later remains as relevant as ever. Born of a profound rejection of war and the armament society, iconoclastically revealing the bankruptcy of civilization, it advocates confusion and absolute doubt, and extols the virtues of spontaneity, movement and joie de vivre. Utopian dream or daydream, the stage machinery will be stripped bare, with removable floorboards, dressing rooms and backstage areas on stage, and the public taking over the space with the company, to experience dance in a different way.... Like a jukebox of humanity, the absurdity of the world and our daily lives will be brought to light in all its immersive, generous and festive glory...